JARP Issue 4: Supplement to ARP08

The Peer - Reviewed Proceedings of the 2008 Art of Record Production Conference at the University of Massachusetts Lowell

Eliot Bates    University of California Berkeley    Abstract  PDF Version
Ron's right arm: tactility, visualization, and the synesthesia of audio engineering

Samantha Bennett        Surrey University     Abstract  PDF Version
Revolution sacrilege! Examining the technological divide among record producers in the late 1980s

Robert Davis    Leeds Metropolitan University     Abstract  PDF Version
Creative ownership and the case of the sonic signature or, I’m listening to this record and wondering whodunit?

Andrew Gwilliam        University of Glamorgan     Abstract  PDF Version
The “Perfect” Performance

Paul Harkins        Edinburgh / Napier University     Abstract  PDF Version
The Sampler as Compositional Tool

Jay Hodgson     Abstract  PDF Version
The Time-Lag Accumulator As A Technical Basis For Brian Eno's Large-Scale Ambient Repertoire, 1973-1978

Philippe Le Guern        Universitee d'Angers     Abstract  PDF Version
Marc Touché        Centre Nationale de la Recherche Scientifique
British sound vs French sound? A recording engineer linking two traditions : Dominique Blanc Francart

Thomas MacFarlane    New York University     Abstract  PDF Version
Magical Mystery Tour: Mono Or Stereo?

Phillip McIntyre        University of Newcastle, Australia     Abstract  PDF Version
The Systems Model of Creativity: Analysing the Distribution of Creative Power in the Studio.

Justin Morey        Leeds Metropolitan University     Abstract  PDF Version
Arctic Monkeys - The Demos vs. The Album

William Moylan    University of Massachusetts Lowell     Abstract  PDF Version
Considering Space in Music

Pete O'Hare        University of Abertay, Dundee     Abstract  PDF Version
Undervalued Stock: Britain’s most successful chart producer and his economy of production.

Justin Paterson    London College of Music     Abstract
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Cutting Tracks, Making CDs: A comparative study of audio time-correction techniques in the desktop age

Rob Toulson    Anglia Ruskin University    Abstract    PDF Version
The Perception And Importance Of Drum Tuning In Live Performance And Music Production

Alan Williams    University of Massachusetts Lowell     Abstract  PDF Version
“I’m Not Hearing What You’re Hearing”: The Conflict and Connection of Headphone Mixes and Multiple Audioscapes

Alexa Woloshyn    University of Toronto     Abstract  PDF Version
Imogen Heap as Musical Cyborg: Renegotiations of Power, Gender and Sound

Simon Zagorski-Thomas        London College of Music     Abstract  PDF Version
The Medium In The Message: Phonographic Staging Techniques That Utilise The Sonic Characteristics Of Reproduction Media.