Information Program Proceedings Call For Papers Abstracts Home
Eliot Bates (tabled paper)University of California BerkeleyStudios, arrangement, and the distributed production system of contemporary Turkish music Anne Danielsen Oslo University Interaction of rhythm and sound in contemporary dance music Mike Hajimichael Intercollege THE DESK, THE GLASS AND THE MIC: the layers of communication, culture and music production. Mark Irwin London College of Music ‘Brown shoes don’t make it’… Tellef Kvifte Oslo University Analog revolution in digital technology Gerard Moorey Bath Spa University ‘See hear: the Aesthetic Spectacle of Record Production’ Richard Osborne London Consortium The Cylinder vs. The Disk Justin Paterson London College of Music Killing Spillage Nick Prior University of Edinburgh Ok Computer: Mobility, Performance and the Laptop Producer Becky Shepherd University of New South Wales Representations of sound: The role of production in the artistic formation of sound in popular musical forms Rupert Till University of Huddersfield Mixing experimental and popular musics.(Part 2) Rob Toulson Anglia Ruskin Unikversity A need for universal definitions of audio terminologies and improved knowledge transfer to the consumer Timothy Warner Salford University Listening for Phi: Representations of Temporal Proportion in Recordings of Mozart's Piano Sonatas Michael Worthington Southern Cross University Contemporary Trends in 5.1 Music Mixing Simon Zagorski-Thomas London College of Music Functional Staging Through the Use of Production Techniques in late 20th Century African and Cuban Popular Music Recordings. Hans Zeiner-Henriksen Oslo University The Most Significant Beat - A comparative study of changes in bass drum sounds in dance music from 70s disco to electronic dance music of the 1980s and 1990s.
