Back to Art of Record Production Front Page Back to Musicology of Record Production Front Page
Pre-1910 1911-20 1921-30 1931-40 1941-50 1951-60 1961-70 1971-80 1981-90 1991-2000 2001-10
Pre-1910
1911-20
How Did They Do It? Coaxing, Coaching and Hoaxing to Record a Performance in the Acoustic Period by George Brock-Nannestad
1921-30
1931-40
1941-50
1951-60
1961-70
Towards a Musicology of Early - Mid 1960s Recordings by Suvi Raj Grubb by Andrew Blake The Beach Boys' Pet Sounds and the Musicology of Record Production by Jan Butler
1971-80
1981-90
Technological Mediation and the Musicalization of Reality on Public Enemy's Fear of A Black Planet by Anne Danielsen
1991-200
“Mentasm” – Tracking Beltram’s production and the aesthetics of the mix by Stan Hawkins
2001-10