Aguilar, Ananay - Royal Holloway, University of London
LSO Live: Reassembling Classical Music

Prof. Mike Alleyne - Department of Recording Industry, Middle Tennessee State University
A Production Case Study of Marvin Gaye’s “Sexual Healing.”

Arthurs, Andy - Queensland University of Technology
Performance Blue Prints: Has The Recording Become The Blueprint For The Performance? Can A Recording Be In Itself A Performance?

Ashworth, Eddie - Ohio University
The Post-Millennium Diy Explosion And Its Effects On Record Production

Bennett, Sam - University of Surrey
No Way Computer! Risk Aversion As An Influence On Equipment Choice Among Record Producers Of The Late 1990s.

Richard James Burgess - Smithsonian Folkways Records
From Folkways to Smithsonian Folkways: An Entrepreneurial Journey from Individual to Institution.

Burlin, Toivo - University of Gothenburg
The Imaginary Room: Recording Practice and Production of Art Music Phonograms in Sweden 1925–1983

Butler, Jan - University of Nottingham
Authentic Independents: Myth or Reality? 

Dr Paul Carr - University of Glamorgan
The Big Note – The Ultimate Gesture: The Incorporation Of Time And Space In Performing, Composing, Arranging And Producing Frank Zappa’s Music 



Per Dahl - University of Stavanger
When the microphone enhances the intimacy in a German Lied

Davis, Robert - Leeds Metropolitan University
"We Don't Write Songs. We Write Dance Tunes": Production, Performance & Dance Floor Aesthetics

Doyle, Peter - Macquarie University
‘Working For The Man’: Representing The Artist-Producer (Or Artist-Agent, Artist-Manager, Artist-Entrepreneur, Artist-Hustler) Relationship.

Field, Ambrose - University of York
Performance Beyond Recording On Being Dufay (ECM Records 2071):  A Twenty-First Century Soundworld From Fifteenth Century Materials.

Fletcher, Ted - TFPro, airSOUND, orbitSOUND
New Directions in Spatial Recognition

Maria Hanáček  - Humboldt-Universität zu Berlin
The Making of Rock Performances: Studio Settings and Recording Realism

Howlett, Mike - Queensland University of Technology
The Producer Performing: An Investigation Of Production From The Artist’s Perspective

Hudson, Gareth - Newcastle Conservatorium of Music, Australia
The Role Of The Producer As Composer Within Diverse Recording Contexts, And The Impact Of Collaboration And Technology On These Contexts.

Jarrett, Michael - Pennsylvania State University
Against a Musicology of Record Production

Kromhout, Melle Jan - Independent Scholar, Amsterdam
As Distant And Close As Can Be. Lo-Fi Recording: Site-Specificity And (In)Authenticity

Le Guern, Philippe - Université d’Angers and Laboratoire Georges Friedmann, Paris 1-CNRS
Getting a home studio equipment : An illustration of the economic theory of uncertainty ?

Thomas MacFarlane - New York University
Revolution 1: Splitting The Definitive

Phillip McIntyre - University of Newcastle, NSW
Songwriting and Studio Practice: The Systems Model of Creativity Applied to ‘Writing Records’.

Kirk McNally - University of Victoria
New Tools For Use In The Musicology of Record Production

Professor Allan Moore - University of Surrey
Aspects Of Embodied Meaning       

Justin Morey - Leeds Metropolitan University
“Breaking the Fourth Wall” – The Effect of Acknowledging the Studio on Staging and Perception.

Mynett, , Mark (Dr Jonathan P Wakefield, Dr Rupert Till) - University of Huddersfield
The Use Of Click Tracks For The Extreme And Modern Metal Genre

Ribac, Francois - University Paul Verlaine of Metz
What’s The Social Meaning Of Recording Devices?

Luis Adam Sanchez - University of Edinburgh
“Shiny and New”: Madonna and The Bearings of Pop Practice

Paul Sanden - University of Western Ontario
Listening to Gould: Embodied Performances on Record

Savage, Steve - San Francisco State University
The Scrubber Tool: Analog Antecedents in the DAW

Simonsen, Tore - Norwegian Academy of Music
The Classical Recording as a Work of Phonography

Stobart, Henry - Royal Holloway, University of London
Constructing Community In The Home Studio: Indigenous VCD (DVD) Production In The Bolivian Andes

Subramaniam, Divakar - University of Glamorgan
Producing Kollywood Songs: Digital Technology And Creative Practice

Supper, Alexandra - Maastricht University
“Tape Hiss and Other Imperfections”

Thorley, Mark - Coventry University
Performance And Recording In Uganda

Toulson , Rob ( & William Campbell) - Anglia Ruskin University, UK
The Life And Death Of Dynamic Range: Who Decides How Loud?

Dan Turner - University of Glamorgan
Outlining The Fundamental Production Aesthetics Of Commercial Heavy Metal Music Utilising Systematic Empirical Analysis

Walther-Hansen, Mads - University of Copenhagen
The Influence of Music Technology on the Perception of the Performer in Phonographic Space

Alan Williams - University of Massachusetts Lowell
Charged Encounters: The Mercurial Nature of Role Formation in the Recording Studio

Williams, Justin - University of Nottingham
Music Production and the Automotive Environment: Dr. Dre’s ‘G-Funk’

Woolfe, Paula - Liverpool University
"Face It Guys, She's A Genius" (Kitty Empire The Observer Review 2007) Production, Gender And The Independent Music Industry

Zagorski-Thomas, Simon - London College of Music, TVU.
Recording Technology and the Conceptualisation of Music